
OFFICE

PROJECTS

EVENTS

DATE

PROGRAM

STATUS

Folly:C

Soho

Prototypes

Fifth Ave

Theater

LAUSD

GAwork

Zoning

WPA 2.0

Dallas Housing

Urban Shed

Wildflower

Lower Fifth

MoMA

Park Slope

Shaft

mW 2.0

BURST*003

BURST*006

City of Future

Syracuse

Dr. Pepper

Global Green

BURST*bop

Philbrook

tW Loft

Universal Housing

Lot1 Queens

Batter Sea

CNN@RNC

Wellfleet

Nanopram

Prague Villa

FulcrumStair

PS1 2003

nNY3

Diesel

Arverne

PS1 2001

Rankin Loft

mW Loft

Kosovo Kit

Jubilee

tkts

Lot49Lofts

Shelter Island

YouthCenter

Kindergarten

le Fresnoy

Rep Theater

Chaussest.
SAN JOSE REPERTORY THEATER
• San Jose, CA
• Complete
• 58,000 Square Feet, 565 seats
• Holt Hinshaw Jones: Architecture - Douglas Gauthier, Project Architect; Dwight Ashdown, Ken Bishop, Jane Cee, Richard Curl, Chris Downey, Dulcie Horwitz, Darin Johnstone, Phil Kaefer, Conrado Lopez, Ben Parco, Chris Palumbo, Randy Ruiz, Bob Shepherd, Robin Severns, Russel Sherman, Wright Sherman, Joanna Walker, David Willet, Ladd Woodland, David Yama, Robert Yue
• Cottong and Taniguchi, Landscape Architects
• Takahashi Consulting Engineers. Silverman & Light. Sandis, Humber, Jones
• Charles M. Salter, Acoustics, Theater Project Consultants
• Dennis J. Amoroso, General Construction
• Richard Barnes, Photography.
The San Jose Repertory theater negotiates between the commerce of the Central Business District to the west and the private and residential areas and San Jose State campus to the east. This pivot is expressed as the ‘magic box’ theater that rotates above the first floor theater base, at once out-of-public space yet still visible to the community. Theatergoers experience this twist in a compressed, vertical lobby between the public promenade and the circular geometry of theater seating. The space is open, without columns between the balcony and orchestra and has no seat farther than 58 feet from the stage. This intimacy is further supported by a flexible proscenium of catwalks and scaffolding to respond to the energy and engagement of the shared performance between performers and audiences.
The relationship between the lobby, stage and theater spaces mirrors the energy and anticipation of pre, inter and post performances. The mechanical spaces, interior and exterior rehearsal spaces, and the fly-tower celebrate the mechanics that serve the performance. The necessary synthetic construct of building is countered with a pragmatic folded metal skin painted blue to mimic the daylight sky and to recede at night with a mimicry of deep blue shadows.